Friday, October 8, 2010
New Blog-Site Coming Soon
I'm finally in a position to start developing my personal website that I've had for a long time, but haven't really done anything with. The site will be mostly dedicated to my multimedia work, as a location to send prospective clients interested in my skills, and for those who are curious where all my time goes. I'm almost more excited to have a new place for my blog to call home. Blogger has been good to me for the past few years, but it's time to move on to bigger and better things. I'll update you all as to the new blog's whereabouts when the time is right. Peace be with you.
Flamers in Portland
Fire-dancer from Dayn Arnold on Vimeo.
There's something beautiful about the danger and fluidity of dancing with fire. Though it's not without an occasional facial-scorching.
Thursday, September 9, 2010
My New Chiropractic Niche
Body In Balance [Web Version] from Dayn Arnold on Vimeo.
Just finalized this project with Dr. Scott, the fella in the video. Working on finalizing the video for City Chiropractic, and will post it when it's ready to be made public. As a chiro patient, I can fully recommend both clinics. Enjoy!
Wednesday, September 1, 2010
She is the Best Thing
You Are the Best Thing from Dayn Arnold on Vimeo.
I got married August 22, 2010 and wanted to surprise my wife with our song. She had no idea I was sneaking around arranging a group of friends to play the song, and was totally shocked when we all assembled and started playing it. We never were able to practice the song as a full band, and even had to replace our drummer at the 11th hour as our original drummer's (and groomsman) wife had a baby that same weekend. Our new drummer hadn't heard the song until the morning of the wedding, and wasn't able to practice because it would ruin the surprise. Nothing too difficult, but that can feel a bit hectic. Actually, it was awesome to have Justin playing drums because he's Mandi's twin brother, and I'm pretty sure they have some sort of psychic connection that made the little song even better.
And yes, she is the best thing to ever happen to me.
Wednesday, August 18, 2010
The Beginning is Near
Timelapse - Crater Lake from Dayn Arnold on Vimeo.
Tuesday, June 29, 2010
Still Alive
Wednesday, April 28, 2010
Clip of the Day 08
ClipOfDay08 from Dayn Arnold on Vimeo.
The drama unfolds as I explain why we are stuck out in the middle of nowhere, part of a drama-filled day. By the way, thanks to Andrew for asking me if he could drink the last of the water that a passing motorist gave us. It was very polite considering our being stranded. Also, my EX1 is a little heavy to be holding at arm's-length for any period of time. I don't recommend it for self-portraits unless you have a tripod.
Tuesday, April 27, 2010
Clip of the Day 07
ClipOfDay07 from Dayn Arnold on Vimeo.
A group of us were waiting on some friends to fix flat tire on one of our group's scooters. We stopped at this road-side shop, and waited alongside the family who ran the shop. A truck pulled up with several adults and a few children in the bed of the pickup. Despite the 95+ degree heat, these women were wearing full covering. It could be that they were covered for religious beliefs, but my suspicion is that they're trying not to get that working-class dark skin. It's amazing how many people in Thailand cover up and use whitening creams to keep from getting dark. The grass is always greener, I suppose.
Monday, April 26, 2010
Clip of the Day 06
ClipOfDay06 from Dayn Arnold on Vimeo.
A bunch of monks in training at a monastery not far from where I was staying. So great to see a bunch of boys just being boys.
Saturday, April 24, 2010
Clip of the Day 05
ClipOfDay05 from Dayn Arnold on Vimeo.
There are a handful of tall buildings in ChaAm, and the one from which I shot this timelapse may be the tallest. At dusk a group of us strolled past the sleeping guard, entered the hotel from the beach, took an elevator as high as we could, and another couple flights of stairs until we were on the roof of the building's highest section. It was incredibly windy and in order to get a good timelapse, I had to hold my tripod down to it wouldn't vibrate so much. My favorite part of the shot is the guys with flashlights wandering around down by the water.
Friday, April 23, 2010
Thursday, April 22, 2010
Wednesday, April 21, 2010
Clip of the Day 02
ClipOfDay02 from Dayn Arnold on Vimeo.
We heard music in the distance and accidentally stumbled upon this acrobatic act apparently being done for the young monks in training. Still not sure why they were doing it.
Tuesday, April 20, 2010
Clip of the Day 01
Thursday, April 15, 2010
How Dayn, Who Thought He Was Prepared, Got More Than He Bargained For
Wednesday, April 14, 2010
Jason Eats Another Strange Food
Jason Eats Another Strange Food from Dayn Arnold on Vimeo.
This time Jason's eating an entire chicken's foot. It's not bad tasting, but the thought of eating the entire foot, bones and all, was a bit much for me. Didn't finish mine.
Tuesday, April 13, 2010
Girls
At the Sunday Night Walking Street market, you can find anything Thai. If you want a t-shirt that says "Chiang Mai" on it, that's the place to go. If you want to buy a giant bug under glass, you're in luck. If you want to eat fried grasshoppers, the market is where you need to be. There is also entertainment to be had as far as the eye can see. Singing and dancing seem to be the performance-styles of choice. From large stage productions with ear-piercing music to the groups of blind men singing and playing instruments, there is a near-overwhelming amount of entertainment to be had. However, amidst the cacophony of sound, the performers that made the biggest impact on me were the two little girls performing in the center of the walkway. I'm certain these girls have been performing at the market for a while, as they seemed very polished from their spotless tribal garb to their mastery of their craft. So poised, so collected, and so much older in demeanor than their years on earth would belie. Jason and I parked ourselves in front of the girl playing some sort of hammer dulcimer, I with my large video camera and enormous tripod, and Jason with his huge camera and giant lens. We created quite a spectacle, causing people who wouldn't otherwise have noticed this girl to stop and listen. With that much attention, she had to try very hard not to smirk, but kept right on playing throughout. I can only assume the woman sitting nearby was her mother, the one dictating when she could take a break. While the show was enjoyable, it made me think about what we were doing, filming and photographing a little girl for show. Granted, we plan to use our footage for noble purposes, but it made me think a lot about the exploitation of little girls like this, pushed to perform in one way or another when they should be just kids.
Behind the girl playing the hammer dulcimer, another girl, possibly a relative of the first girl, was dancing for passers by. She really was quite graceful, showing incredibly poise and maturity. She had a CD player behind her and was dancing to the music dressed to the nines in tribal garb like they wear in nearby Hmong villages. Fringe and tassels flew as she spun and moved to the music. She was very good. A little too good, perhaps. Some of her dance moves bordered on the provocative, perhaps moves she had learned watching western television. And while I have no evidence that she was involved in an abusive family environment, it certainly made me think about the implications in my own culture of dancing for money. I mentioned to Jason that filming this little girl was a little creepy, a bit unsettling. As we drew crowds, it helped these girls make more money than they would have, and we both donated generously to each of the girls as we had parked ourselves in front of each of them for much longer than we felt we could have for free. We talked about the fact that we have the opportunity to help others in the world fall in love with the Thai people, and to bring Jesus to a lost and hurting nation. But that kind of help is potentially far off, not nearly as immediate as throwing Thai Baht into her bowl. We want to support people, not necessarily their activities. It was a difficult moment knowing we were getting powerful footage, but that we were in essence supporting something we didn't entirely agree with. All in all it was a sobering moment, the kind of moment I suspect Jason and I will have many of in the coming years. We want to help others help these girls on a longer-term basis than we can in the moment, and we have to believe God will be faithful in people's hearts to move.
(All of these pictures are from the video footage I took that night. It's powerful stuff when there's motion, but internet being what it is here, this'll have to do.)
Friday, April 9, 2010
The Monklets
Tuesday, April 6, 2010
A Few Days in Cha-am
Friday, April 2, 2010
Back in Thailand with Time to Kill
My computer’s clock tells me it’s 4:10pm, but my body can tell it’s lying. Jumping fourteen hours into the future is not easily accomplished without some sort of physical punishment. I’m slowly beginning to realize that I don’t love travel, like I’ve previously claimed. I love being new places, but generally don’t enjoy the journey if it’s primarily flying airlines that somehow seem to miraculously cram more people into a plane at the expense of the tall man’s leg-room. I swear, those planes are getting more and more like those circus cars that somehow house a hundred clowns in a space that should fit four. Though I oft lament my consistent inability to sleep in sardine-cramped quarters, it’s certainly worth the discomfort to get where I’m going. Like so many things in life, the more you suffer through it, the greater the reward. Also, I’m feeling very dramatic this morning, so I hope you’re feeling comfortable with hyperbole.
I have five hours to kill while I wait for a few more Pioneers people to arrive at the airport so we can vanpool to the coast. I’m tired out from sleeping about four hours in the last 36, which seems to be step one in my usual adjustment to a drastically-new timezone. Step one: sleep less than two hours during sixteen to seventeen hours of flying. Step one can also include any sleep I may get in the airport waiting for my next connection, hence my total of four hours of sleep. Step two: crash. When I get where I’m going, I lay down for an indeterminate number of hours for some of the hardest sleep I get in any given year. When I visited my sister Daylan in Kenya, we drove home from the airport, I laid down in her bed and was immediately out into a rock-like dreamless sleep for the next eight hours. Today I don’t want to sleep THAT much because I’ll continue sleeping from mid-day to pre-dusk morning for the duration of my trip, and that would be a big waste of time, now wouldn’t it? I’m pretty good at adjusting when I fly West. Coming back home seems to take longer to adjust.
I’m really not sure why I’m telling you guys this, aside from the fact that I have time to kill and haven’t written something truly wordy in months, if not more than a year. I suppose writing this is better than continuing to wander the part of the airport outside the gates where there really is nothing to do. In case you didn’t already know, I’m a bit of an idiot. I come all the way to Thailand, and decided to camp out in a Starbucks, which is a bit more of a lateral step than a step up from aimless wandering. Writing really is one of my true releases, where I can get my thoughts, as scattered as they may be, out onto the page. I don’t much care whether anyone reads it. Kind of a public diary, I suppose. A place where the multitude of fragments of ideas in my mind find a place to get together and figure out how they all fit together. Or don’t fit together. Like how strange it seems that I’m listening to Allison Krauss and Union Station play for all to hear in Thailand of all places.
I tend to get down on American culture for the way it idolizes beauty and consumerism. The more places I visit, the more I realize America is far from alone in that idolization. I’m struck again at the enormous ads in the Tokyo and Bangkok airports, touting beauty products that cost and make a fortune worldwide by plastering larger than life women and men who have been airbrushed into oblivion (anyone remember that Arrested Development where Gob had to check albino on his mother’s fake drivers license because he “airbrushed her into oblivion?”) to make all of us want what they have. I know this is hardly a new area of discussion, but I was struck by it early this morning. There’s something about those European ads that instantly make me feel inferior. Pretty amazing that print media can draw out such a strong reaction.
It’s hard not to judge people in the Bangkok airport. Especially since I know a little about the shady things that can go on between Westerners and Thai women. Every time I see a white guy walking hand in hand with a young human stick-figure of a Thai woman, I instantly jump to a conclusion. I think that sort of judgmental attitude is a result of working on a short documentary with my good buddy Fritz. He shot a bunch of footage in Cambodia, and we put together a doc about a teenaged girl who was tricked into sex-slavery. The story has a happy ending as she is ultimately rescued from that world and given a new chance at life through a handful of amazing Godly people. Editing and composing the music for that project was an amazing and eye-opening experience. Non-profit Transitions Global uses it in their materials. I can show you the film sometime if you’re interested.
I had a realization at about 2:00 this morning. The video gear I brought with me on this trip is worth a lot of money. A lot. I think the quality you get from good gear is easily worth its cost, but sometimes it makes you wonder. I expect in the next couple days to be shouldering my spendy cam out in public and have someone ask for money. I’ll probably say I don’t have any money or just ignore them. And even if I don’t have the money and I’m not lying, I’m still carrying around a piece of equipment that could be worth more than a years salary for any number of locals here. It’s a bizarre and uncomfortable dichotomy that so often the people telling the stories could be eliminating the very stories they’re telling just by investing in those people. I suppose that would probably be a short-lived solution to a much greater problem, one that could certainly benefit from a bit of exposure. But still, it makes you think.
This is my first trip in the last year and a half that I’ve taken without Mandi by my side. The one benefit I get from this (lack of) arrangement is that I have more time to take my time with footage because I don’t have to think about how I’m wasting her time by stopping every ten seconds to shoot. Ultimately, however, I already miss her a lot. I don’t have anybody to be grumpy (or occasionally deliriously giddy) around from lack of sleep. I don’t have a hand to hold out in public. I don’t have that voice of reason with me at all times, the one that snaps me out of a funk or makes me laugh really hard. In part, I have too much time to cogitate on such things while I wait for the other members of my vanpool, and when things pick up a bit the pangs of longing will subside to a dull ache. But right now, while I have time to just BE for the first time in a long long while, my only wish is that she were here with me. Next time she will be. That will be a good day.
So thanks for sharing in my ramblings. I’ve not had verbal (not verbal, though, as it’s written) diarrhea in a good long while. Perhaps free time is Dayn’s perfect verbal stool softener. Gross. I’m so sorry for that last statement, though apparently not sorry enough to delete it. Next time I probably won’t have so much to say, though who really knows?
Daynold out.